Ground** NO POST OFFICE BOXES**** unless other arrangements are made or item is to large. I WILL CONTACT YOU AT THE END OF THE AUCTION Buyer to pay $30.00 for shipping to Continental U.S. Any Request for Returns MUST be made within 24 Hrs.of Receipt of Item. All items Guaranteed as Represented or your money back. Please e-mail with any questions.Good Luck. Great original condition with no cracks or damage and looks to be complete and in good working condition. Thanks !!!!!! Antique Cast Iron commercial apple peeler & corer marked Rival No. I feel a lot less restricted with my newsletter, and I write about things that entertain me, and if anyone else enjoys it, then that feels like a bonus.OLD RIVAL # 296 COMMERCIAL APPLE PEELER PLEASE E-MAIL me with any questions BEFORE the auction is over and not AFTER you have won the bid.AUCTION RESERVES that have NOT been met WILL NOT be disclosed until after the auction is over. ![]() Substack allows me more time and space to explore my ideas, reflect on my practice and share with a more engaged audience. I decided to start a Substack as I was getting disenchanted with Instagram no one saw anything I posted, and I was constantly getting spammed with adverts. You've recently branched out into Substack. It is so much fun to become part of people's everyday lives. My friends and family send me photos if they see anything, which always makes my day. How does it feel to see your work out in the wild? My work has changed so much since then, and I don't think they're my strongest drawings at all, but that project reminds me of the first time I really thought I could make being an illustrator a full-time thing. It was a concept I came up with at uni, and I got picked up by a publisher at my degree show, and we turned it into a colouring book. I think it would be my first book, 'The Line'. I don't have a list of criteria per se, but I tend to go with my gut, and if something doesn't feel right, it's not worth taking on. I have been very fortunate with the clients who approach me and have worked with lovely clients, including many charities, over the past couple of years. How do you go about choosing the clients you work with? Do you have a list of criteria they need to match? Those drawings usually look very different from my work for commercial projects. During lockdown, I started trying to do one drawing from life every day, it's a nice record of that weird time, and since then, I've gotten into a habit of taking a sketchbook on holiday. One is more written ideas with very fast sketches, and the other I take on trips with me for more observational drawings. Thank you! I use sketchbooks as a place to experiment and get ideas down quickly. But I think it's good to remind myself to stay loose and experiment with other materials and mediums so I don't feel too much like a robot. It's become a lot more consistent and neat, which is a good thing for the most part. I think doing projects and working quickly and efficiently has tightened things up a lot. How has your style evolved over the years? I always go through phases with who I'm obsessed with, and it's currently Jim Henson and The Muppets. I admire so many contemporary illustrators, but Christian Robinson is a current favourite. As well as Tove Jansson's Moomins and Richard Scarry's Busy Town. ![]() ![]() I have always loved characters, and Dick Bruna's Miffy has always been a firm favourite. Who are your biggest artistic inspirations and why? And that's when I fell into illustration. As I began my BA, I realised it wasn't for me and switched to Graphics, where a tutor saw a silly little drawing I did in the margin of my notebook and asked why I never did work like that. At school, I studied fashion and textiles then, during Foundation, I branched out into the world of Fine Art. I've always enjoyed drawing and making, and creating things. It was a bit of an accident, to be honest. What made you want to become an illustrator? We caught up with Alice to hear how she turned marginalia into a career, how she chooses clients, and what she loves most about being an illustrator. When she's not creating incredible illustrations, Alice also spreads joy through her Easy Peeler newsletter, and more recently, she has started to engage with her audience via the online publishing platform Substack. The long list of clients enamoured with her work includes Apple, The Guardian, Hato Press, Camden Town Brewery and Orchard Thieves. Based in South-East London, Alice's joyful work spans packaging design, murals, book illustrations, brand identities, animations, shop displays and more, all united by her deft line work, distinctive use of black ink and charming creatures.
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